PARIS, FRANCE – ISATA, SHEKU – ORCHESTRAL
PERFORMERS
Sheku Kanneh-Mason, cello
Isata Kanneh-Mason, piano
Tai Murray, violin
Roderick Cox, conductor
Chineke! Orchestra
PROGRAMME
COLERIDGE-TAYLOR Ballade in A Minor, Op.33
BEETHOVEN Triple Concerto for Violin, Cello, and Piano in C Major, Op.56, No. 2
Interval
WILLIAM DAWSON Negro Folk Symphony
VENUE NOTE:
In a program highlighting composers too long neglected, the pioneering ensemble merges with Sheku and Isata Kanneh-Mason, emblematic figures of its mission of diversity and excellence.
Founded in 2015 by double bassist Chi-Chi Nwanoku—a soloist with the Orchestra of the Age of Enlightenment for thirty years—the Chineke! Orchestra is much more than a symphony ensemble. It is a true manifesto for diversity in the world of classical music. Born from the recognition of the persistent underrepresentation of Black and minority ethnic musicians on European stages, this bold project quickly established itself as a force for transformation in the musical landscape. The ensemble’s philosophy is based on a unique model combining artistic excellence and social mission, with a senior orchestra of established professionals and a junior orchestra for young talents aged 11 to 22.
The concert featuring Sheku and Isata Kanneh-Mason as soloists at the Philharmonie de Paris perfectly illustrates this ambition. Brought to public attention by his prestigious BBC Young Musician award in 2016 and his appearance at Meghan and Harry’s royal wedding, Sheku embodies this new generation of musicians who are challenging traditional codes. His charisma on stage, his instrumental mastery, and his expressive commitment make him one of the leading cellists of his time. His sister, Isata, a pianist with an adventurous repertoire, completes this fraternal duo with an obvious artistic connection. Their careers symbolize the possibilities offered by organizations like Chineke!, where talent can flourish without hindrance. Their presence on stage with the orchestra goes beyond a simple collaboration: it represents a strong affirmation of the legitimacy of Black artists in the classical repertoire.
